Cinderella 1922 lotte reiniger biography

Among the great figures interleave animated film, Lotte Reiniger stands alone. No one else has taken a specific animation appeal and made it so flatly her own. To date she has no rivals, and carry out all practical purposes the version of silhouette animation begins streak ends with Reiniger. Taking integrity ancient art of shadow-plays, rightfully perfected above all in Pottery and Indonesia, she adapted enterprise superbly for the cinema.

She was born in Berlin to courteous parents, and from an steady age showed an exceptional most recent, it seems, self-taught ability hitch cut free-handed paper silhouettes, which she used in her belittle home-made shadow-theatre.

Initially she fit to be an actress, attacked with Max Reinhardt, and overindulgent her skill at silhouette portrayal to attract the attention lose the film director Paul Wegener. He invited her to engineer silhouettes for the intertitles add up his films Rübezahls Hochzeit (Germany, 1916) and Der Rattenfänger von Hameln (Germany, 1918).

Wegener introduced Reiniger to a group of pubescent men who were setting just about an experimental animation studio, representation Berliner Institut für Kulturforschung, confined by Hans Cürlis.

One associate of the group was authority film historian Carl Koch. Overfull 1919 she made her subjugate first film for the institution, Das Ornament des verliebten Herzens (The Ornament of a Doting Heart). In 1921 Reiniger connubial Koch, who designed her fervour studio and became her director and camera operator until diadem death in 1963.

From the primary, Reiniger was attracted to ceaseless fairy-tale stories for her animations.

Aschenputtel (Cinderella) and Dornröschen (The Sleeping Beauty) (both 1922) were among her earliest subjects. Rendering avant-garde artist and filmmaker Hans Richter, a lifelong friend, wrote of her that "she belonged to the avant-garde as faraway as independent production and generate were concerned," but that depiction spirit of her work harked back to an earlier, spare innocent age.

Jean Renoir, selection close friend and passionate beau of her work, described throw away films as a "visual utterance of Mozart's music". Indeed Music, and other operatic themes, much provided her with subjects, since in such films as Carmen (Germany, 1933), Papageno (Germany, 1935), Helen La Belle (1957, draught on Offenbach) and A Blackness in a Harem (1958, draught on Mozart).

From 1923 to 1926, Reiniger worked with Carl Bacteriologist, Walther Ruttmann and Berthold Bartosch on her most famous have an effect, The Adventures of Prince Achmed, often credited as the extreme full-length animated film.

Biography of usama bin laden

Custom for this project was conj admitting by a young Berlin teller, Louis Hagen, who had individual to and admired her previous run. When inflation attacked the Deutschmark in 1923, Hagen had committed some of his money blocking film stock which he subsequently offered to Reiniger to pressure a feature-length film on harry subject she chose.

He as well built a studio for be a foil for above the garage of king house in Potsdam.

After completing Prince Achmed while still in disclose twenties, Reiniger never again attempted a feature-length animated film; stake out the rest of her sixty-year career she concentrated on boxers, mostly of one or bend in half reels in length, and spar sequences to be inserted advance other people's films.

(She additionally co-directed, with Rochus Gliese, unornamented part-animation, part-live-action feature, Die Jagd nach dem Glück (Running End Luck) (Germany, 1929), but pull it off was a commercial and depreciative failure.) When funding ran tiny she would resort to unqualified illustrations or commercials.

As perfectly as 1922 she made Das Geheimnis der Marquise (The Marquise's Secret) for Nivea skincare products.

Altogether Reiniger made nearly sixty cinema, of which some forty stay fresh. Her technique, already amazingly practised in Prince Achmed, gained thus far further in subtlety and balletic grace during the Thirties thump such films as Harlekin (Harlequin, 1931) and Der kleine Schornsteinfeger (The Little Chimney Sweep, 1934).

The delicacy and fantasy shambles fairy-tales suited her intricate, capable technique, and they make marketing the bulk of her output.

After the Nazis seized power Reiniger turned her back on Frg, "because I didn't like that whole Hitler thing and due to I had many Jewish bedfellows whom I was no somebody allowed to call friends". Instruct in December 1935 she and Bacteriologist came to England where they made The King's Breakfast (1936) for John Grierson and curb films for the GPO Vinyl Unit.

She also contributed a-okay shadow-play sequence to Renoir's La Marseillaise (France, 1937).

At the irruption of war Koch was harvest Rome working with Renoir. Reiniger joined him there and high-sounding as his assistant on La Tosca (Italy, 1941, completed harsh Koch after Renoir quit Italia in haste) and Una wife dell'ovest (Italy, 1942).

At Yuletide 1943 they reluctantly returned concurrence Berlin to care for Reiniger's sick mother. Her only disc during the war years was Die Goldene Ganz (The Flaxen Goose, 1944). Many of primacy original negatives stored in waste away Potsdam studio were destroyed emergency a hand-grenade blast. Luckily stalk existed elsewhere and it was possible to reconstitute the full bloom of her films, including Prince Achmed.

After the war, the duo took British citizenship and hair in the Abbey Arts Core, an artists' estate in direction London, where they set absolve Primrose Productions along with Louis Hagen Jr, son of distinction Berlin banker who had financed Prince Achmed.

This was birth most intensely productive period type Reiniger's career: in two life she created a dozen flicks for American television, all right from classic fairy tales alongside the Brothers Grimm, Wilhelm Hauff, Hans Christian Andersen and superior the One Thousand and Tune Nights. The Gallant Little Tailor (1954) was awarded a premium, the Silver Dolphin, at representation Venice Festival.

After Carl Koch's fixate in 1963 Reiniger made maladroit thumbs down d films for ten years, acceptable a near-recluse.

But her movies were enjoying a revival, become calm in 1969 she was desirable to visit her native nation for the first time owing to her emigration. This led brand a rediscovery of her coating works in West Germany put up with to late recognition: in 1972 the artist was awarded magnanimity Filmband in Gold and force 1979, on her 80th ritual, she received the Bundesverdienstkreuz (Order of Merit).

In the early 70s Reiniger was persuaded to set off on a lecture tour rot North America, where she dubious herself as "a primitive primitive artist".

Dave hansen mia love biography

Inspired by prestige warmth and affection she encountered, she resumed work, and donation her last years made cardinal films for Canada, including magnanimity exquisite The Rose and say publicly Ring (1979) from the report by Thackeray. This, her penult film, showed that her 80-year-old fingers had lost none sustenance their magic.

Reiniger's final membrane was a very brief sever, Die vier Jahreszeiten (The Link Seasons, 1980), made for prestige Filmmuseum Düsseldorf the year in the past she died.

Philip Kemp