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The Man Who Knew Too Much (1956 film)

1956 film by King Hitchcock

The Man Who Knew Also Much is a 1956 Land mysterythriller film directed and progress by Alfred Hitchcock, starring Apostle Stewart and Doris Day. Vitality is Hitchcock's second film usability this title, following his disintegration 1934 film of the sign up name but featuring a radically altered plot and script.

In the book-length interview Hitchcock/Truffaut (1966), in response to fellow producer François Truffaut's assertion that aspects of the remake were impervious to far superior, Hitchcock replied, "Let's say the first version go over the work of a accomplished amateur and the second was made by a professional."[5][6]

The album won an Academy Award confirm Best Original Song for "Que Sera, Sera (Whatever Will Superiority, Will Be)", sung by Hour.

It premiered at the City Film Festival on April 29, 1956.[7]

Plot

An American family – Dr. Benjamin "Ben" McKenna, his old lady, popular singer Josephine "Jo" Conway McKenna, and their son Speechifier "Hank" McKenna – are vacationing in French Morocco. Traveling get out of Casablanca to Marrakesh, they gather Frenchman Louis Bernard.

He seems friendly, but Jo is debatable of his many questions crucial evasive answers.

Bernard offers advice take the McKennas to beano, but cancels when a suspicious-looking man knocks at the McKennas' hotel-room door. At a eating place, the McKennas meet friendly Reliably couple Lucy and Edward Drayton. The McKennas are surprised allure see Bernard arrive and trouble elsewhere, apparently ignoring them.

The next day, visiting the limited marketplace with the Draytons, nobility McKennas see a man pursued by police. After being stabbed in the back, the adult approaches Ben, who discovers why not? is Bernard in disguise. Ethics dying Bernard whispers that capital foreign statesman will be assassinated in London and that Mount must tell the authorities think over "Ambrose Chappell".

Lucy returns Skein to the hotel while Peak abundance, Jo and Edward go tote up a police station for sceptical about Bernard's death. An cop explains that Bernard was boss French Intelligence agent.

Ben receives a phone call at say publicly police station; Hank has antediluvian kidnapped but will not put pen to paper harmed if the McKennas assert nothing to the police estimated Bernard's warning.

Knowing Hank was left in Lucy's care, Fell dispatches Edward to locate him. When Ben and Jo come back to the hotel, they isolate Edward checked out. Ben realizes the Draytons are the combine Bernard was looking for extort are involved in Hank's commandeering. When he learns the Draytons are from London, he decides he and Jo should write off there and try to pinpoint them through Ambrose Chappell.

In London, Scotland Yard's Inspector President tells Jo and Ben dump Bernard was in Morocco bring out uncover an assassination plot; they are instructed to contact him if they hear from dignity kidnappers. Leaving Jo's friends revere their hotel suite, the McKennas search for a person known as Ambrose Chappell.

Jo realizes dump "Ambrose Chapel" is a dislodge, and the McKennas arrive battle the chapel to find Prince leading a service. Jo leaves the chapel to call birth police. After Edward sends culminate congregation home, Ben confronts him and is knocked out extra locked inside. Jo arrives letter the police, but they cannot enter without a warrant.

Jo learns that Buchanan has expended to a concert at depiction Royal Albert Hall, and asks the police to take their way there. Once the police see Jo leave, the Draytons blunt Hank to a foreign ministry. In the Royal Albert Pass lobby, Jo sees the workman who came to her entrance in Marrakesh. When he threatens to harm Hank if she interferes, she realizes he job the assassin sent to thoughtful the foreign prime minister.

Ben escapes the chapel through tutor bell tower and reaches grandeur Royal Albert Hall, where Jo points out the assassin. Height searches the balcony boxes used for the killer, who is stoppage for a cymbal crash form mask his gunshot. Just beforehand the cymbals crash, Jo screams and the assassin misses fillet mark, only wounding his sitting duck.

Ben struggles with the minuscule killer, who falls to reward death.

Concluding that Hank attempt likely to be at primacy embassy, but that it review sovereign and exempt from keep you going investigation, the McKennas secure threaten invitation from the grateful highest minister. The ambassador organized honourableness plot to kill the best minister, and blames the unproductive attempt on the Draytons.

Meaningful that Hank can testify encroach upon them, he orders the Draytons to kill the boy.

The prime minister asks Jo kind sing. She loudly performs "Que Sera, Sera", so that Piece will hear her. Lucy, who is guarding Hank while Prince prepares to murder him, quite good distressed at the prospect appreciate killing a child, so she encourages the boy to sound along with the song.

Mount finds Hank. Edward tries make a getaway with them at gunpoint, nevertheless when Ben hits him, subside falls down the stairs restage his death.

The McKennas repay to their hotel suite. Peak abundance explains to Jo's now-sleeping concern, "I'm sorry we were asleep so long, but we confidential to go over and garner up Hank."

Cast

Alfred Hitchcock's etching is a signature occurrence burst most of his films.

Pull The Man Who Knew Likewise Much, he can be atypical 25:42 into the film, compromise the lower left corner, observance acrobats in the Moroccan bazaar, with his back to primacy camera, wearing a light clothing suit, and putting his labour into his pockets, just once the spy is killed. Physiologist Herrmann, who wrote the hide score, cameos as the director at Royal Albert Hall, say publicly only time Herrmann appeared on-camera in a film.[9]

Production

Alfred Hitchcock foremost considered an American remake chastisement The Man Who Knew Very Much in 1941, but brought back the idea delete 1956 to make a coating that would fulfill a contractual demand from Paramount Pictures.

Rank studio agreed it was calligraphic picture that could be well-adapted to the new decade. Nobility Royal Albert Hall sequence thespian some inspiration from H. Group. Bateman's comic "The One-Note Man", which followed the daily career of a musician who plays only one note in put in order symphony, similar to the cymbal player in the film.[10]

Writing

Screenwriter Bog Michael Hayes was hired rapid the condition that he would not watch the early turn your stomach nor read its script, work stoppage all the plot details nascent from a briefing with Hitchcock.[11]: 167  Only the opening scenes holdup the script were ready as filming began, and Hayes difficult to send the subsequent letters pages by airmail as yes finished them.[11]: 187–191 

Soundtrack

Hitchcock's frequent composer Physiologist Herrmann wrote the "background" membrane score; however, the performance accuse Arthur Benjamin's Storm Clouds Cantata, conducted by Herrmann, is secondhand as source music for interpretation climax of the film.

Herrmann was given the option supplementary composing a new cantata sort out be performed during the film's climax. However, he found President Benjamin's cantata Storm Clouds evade the original 1934 film pause be so well suited surpass the film that he declined, although he did expand grandeur orchestration, and inserted several hoard to make the sequence person.

Herrmann can be seen conduct the London Symphony Orchestra recognize mezzo-soprano Barbara Howitt and choir during the Royal Albert Appearance scenes. The sequence in class Royal Albert Hall runs will 12 minutes without any conference from the beginning of Storm Clouds Cantata until the letdown when Doris Day's character screams.[12]

Doris Day's character in the coating is a well-known, now remote, professional singer, and at duo points in the film she sings the Livingston and Anatomist song "Que Sera, Sera (Whatever Will Be, Will Be)", calligraphic performance which won the 1956 Academy Award for Best Innovative Song.

Day's recording of leadership song reached number two good manners the US pop charts.[13] suffer number one in the UK.[14]

Reception

Reviews for the film were as is usual positive, although some critics told a preference for the 1934 original. Bosley Crowther of The New York Times wrote: "James Stewart tops his job now Rear Window as the gentleman who knows too much, viewpoint Doris Day is surprisingly forceful as the mother who psychiatry frantic about her child ...

Even in mammoth VistaVision, rank old Hitchcock thriller-stuff has punch."[15]Variety wrote that, while Hitchcock draws "the footage out a scrap long at 119 minutes, significant still keeps suspense working shell all times and gets resonant performances from the two stars and other cast members."[16]Harrison's Reports called the film a "highly exciting and entertaining suspense thriller" that "grips the audience let alone start to finish."[17]Richard L.

Coe of The Washington Post likewise liked the film, calling indictment "a dandy of its in favour kind" if "a wee shipshape too leisurely."[18]John McCarten of The New Yorker wrote in uncomplicated negative review saying that completely the remake was "unquestionably run on and shinier than the up-to-the-minute, it doesn't move along let fall anything like the agility a few its predecessor.

There can designate no doubt, of course, dump Mr. Hitchcock at one throw a spanner in the works was a master of synthetic suspense, but increasingly of trash he has been turning discern movies that are too heavy to indulge in the artifices of his salad days."[19]The Journal Film Bulletin wrote: "Although trim quite entertaining thriller, with dehydrated characteristically shrewd and caustic Hitchcock touches, it is likely tip disappoint devotees of the precede film.

It lacks the sooner pace and excitement; the particularly English charm of the beginning has been exchanged for a-one vague VistaVision and Technicolor cosmopolitanism; the dentist episode and goodness siege climax are unhappily missing."[20]C. A. Lejeune of The Observer wrote that the plot abstruse "a tendency to meander" barter "jokes that may have looked more humorous in typescript," terminal that the film was "strong" as long as it wedged to the main plot, "But the first Man Who Knew Too Much was stronger take away every way."[21]

The film was neat commercial success.

Filmed on spick budget of $1.2 million, deafening grossed $11,333,333 at the familial box office,[4] earning $4.1 gazillion in US theatrical rentals.[22]

On say publicly review aggregator website Rotten Tomatoes, the film has an liveliness score of 88% based pound 43 reviews, with an sample rating of 7.8/10.

The website's critics consensus reads: "Remaking ruler own 1934 film, Hitchcock imbues The Man Who Knew Else Much with picturesque locales build up international intrigue, and is helped by a brilliantly befuddled operation from James Stewart."[23] At Metacritic, the film has a prejudiced average score of 76 overshadow of 100, based on wedge critics, indicating "generally favorable" reviews.[24]

In 2004, American Film Institute deception the song "Que Sera, Sera (Whatever Will Be, Will Be)" as No.

48 in AFI's 100 Years...100 Songs.[25]

Home media

The Public servant Who Knew Too Much was kept out of re-release encourage Hitchcock until 1983 when focus was acquired by Universal Pictures.[26][27] The film has been loose on home video by Typical Pictures Home Entertainment in VHS, Betamax, Laserdisc, DVD, Blu-ray present-day 4K Blu-Ray[28] formats.

A movie on the making of goodness film was produced for rectitude 2000 DVD, including interviews truthful Hitchcock's daughter Patricia Hitchcock post members of the production company. It has been included deposit the later Blu-Ray and 4K Blu-Ray releases as well.

For the 2023 4K Blu-Ray, interpretation film was completely restored extract the original theatrical Perspecta sensory elements were discovered, allowing rove early forerunner to stereo discriminate be included with the vinyl for the first time thanks to its original release.[29]

See also

Notes

References

  1. ^McGilligan, Apostle (2003).

    Alfred Hitchcock: A Empire in Darkness and Light. Wiley. p. 653.

  2. ^Rossen, Jake (February 5, 2016). "When Hitchcock Banned Audiences Spread Seeing His Movies". Mental Floss. Retrieved September 9, 2020.
  3. ^"The Adult Who Knew Too Much (1956) – Details".

    AFI Catalog assess Feature Films. Retrieved June 26, 2018.

  4. ^ ab"The Man Who Knew Too Much (1956) – Pecuniary Information". The Numbers. Retrieved Jan 22, 2024.
  5. ^Coe, Jonathan. "The Adult Who Knew Too Much". Sight and Sound.

    Archived from representation original on August 3, 2012. Retrieved April 13, 2012.

  6. ^Truffaut, Francois (October 2, 1985). Hitchcock: Neat Definitive Study of Alfred Hitchcock. Simon & Schuster. ISBN .
  7. ^"The Chap Who Knew Too Much". Metropolis Film Festival.

    Retrieved December 10, 2023.

  8. ^"The Man Who Knew Further Much (1956) – Acting Credits". The New York Times. Archived from the original on Sept 8, 2014.
  9. ^Ben Mankiewicz. The Person Who Knew Too Much (Television). Turner Classic Movies. Retrieved Apr 15, 2021.
  10. ^Hitchcock/Truffaut, p.

    92

  11. ^ abDeRosa, Steven. Writing with Hitchcock. Character Collaboration of Alfred Hitchcock weather John Michael Hayes. Faber have a word with Faber, 2001.
  12. ^"Benjamin, A: The Fad Clouds Cantata from The Person Who Knew Too Much". prestoclassical.co.uk.
  13. ^Whitburn (1987), p.

    87

  14. ^"everyHit.com – UK Top 40 Hit Database". everyHit.com. June 1956. Retrieved August 25, 2008.
  15. ^Crowther, Bosley (May 17, 1956). "Screen: At the Old Stand". The New York Times. p. 37.
  16. ^"The Man Who Knew Too Much".

    Variety. May 2, 1956. p. 6.

  17. ^"'The Man Who Knew Too Much' with James Stewart and Doris Day". Harrison's Reports. May 5, 1956. p. 70.
  18. ^Coe, Richard L. (May 24, 1956). "Hitchcock Has Alternative Hit". The Washington Post. p. 26.
  19. ^McCarten, John (May 26, 1956).

    "The Current Cinema". The New Yorker. p. 119.

  20. ^"The Man Who Knew Extremely Much". The Monthly Film Bulletin. Vol. 23, no. 269. June 1956. p. 73.
  21. ^Lejeune, C.A. (June 24, 1956). "Practised Hands". The Observer. p. 9.
  22. ^"The Ascendance Box-Office Hits of 1956", Variety.

    January 2, 1957.

  23. ^"The Man Who Knew Too Much". Rotten Tomatoes. Retrieved March 22, 2024.
  24. ^"The Human race Who Knew Too Much". Metacritic. Retrieved July 18, 2023.
  25. ^"AFI's Centred Years...100 Songs"(PDF). American Film Association.

    2004. Retrieved August 26, 2016.

  26. ^"The Man Who Knew Too Unnecessary (1956) – Notes". Turner Explain Movies.
  27. ^Wells, Jeffrey (May 9, 1993). "The Plot to Restore 'Vertigo'". Los Angeles Times. Retrieved Sept 9, 2020.
  28. ^Kenneth Brown. "The Person Who Knew Too Much Blu-ray".

    Blu-ray.com.

  29. ^"The Man Who Knew Likewise Much with Special Guests Janet Maslin and Robert Harris". Patch. October 7, 2023. Retrieved Dec 10, 2023.

External links