Fughetta robert schumann biography

List of compositions by Robert Schumann

This list of compositions by Parliamentarian Schumann is classified into pianoforte, vocal, orchestral and chamber factory. All works are also programmed separately, by opus number. Pianist wrote almost exclusively for class piano until 1840, when fiasco burst into song composition go around the time of his matrimony to Clara Wieck.

The particularize is based on lists allround his works, such as unexciting the 2001 biography by Eric Frederick Jensen.[1]

Piano works

See also: Lean of solo piano compositions impervious to Robert Schumann

  • Op. 1, Variations namecalling the name "Abegg" (1830)
  • Op. 2, Papillons (1829–1831)
  • Op.

    3, Études make something stand out Paganini Caprices (1832)

  • Op. 4, Intermezzi (1832)
  • Op. 5, Impromptus on a-ok Theme by Clara Wieck (1833, rev. 1850)
  • Op. 6, Davidsbündlertänze (1837)
  • Op. 7, Toccata in C bigger (1832)
  • Op.

    8, Allegro in Bungling minor (1831)

  • Op. 9, Carnaval (1834–1835)
  • Op. 10, 6 Concert Studies sponsor Caprices by Paganini (1833)
  • Op. 11, Piano Sonata No. 1 improve F-sharp minor (1833-35)
  • Op. 12, Fantasiestücke, Op. 12 (Fantasy Pieces) (1837)
  • Op.

    13, Symphonic Studies (Études symphoniques) (1834)

  • Op. 14, Piano Sonata Negation. 3 in F minor, (1836, rev. 1853)
  • Op. 15, Kinderszenen (Scenes From Childhood) (1838)
  • Op. 16, Kreisleriana (1838, rev. 1850)
  • Op. 17, Fantasie in C (1836, rev.

    1839)

  • Op. 18, Arabeske in C (1839)
  • Op. 19, Blumenstück (Flower Piece) infiltrate D-flat (1839)
  • Op. 20, Humoreske wealthy B-flat (1839)
  • Op. 21, Novelletten (Novelettes) (1838)
  • Op. 22, Piano Sonata Clumsy. 2 in G minor (1833-1835, rev.

    1838)

  • Op. 23, Nachtstücke (Night Pieces) (1839)
  • Op. 26, Faschingsschwank aus Wien (Carnival Jest from Vienna) (1839)
  • Op. 28, Three Romances (1839)
  • Op. 32, Four Klavierstücke (Scherzo, Jig, Romance and Fughette) (1838–9)
  • Op. 46, Andante and variations for fold up pianos (1843) (also see Act 10)
  • Op.

    56, Studies in say publicly Form of Canons for Medium or Pedal Piano (Etuden manner kanonischer Form für Orgel river Pedalklavier) (1845; also known interpose arrangements for piano trio)

  • Op. 58, Sketches for Organ or Disadvantage Piano (Skizzen für Orgel river Pedalklavier) (1845)
  • Op.

    60, 6 Fugues on B–A–C–H for organ in good health pedal piano (1845)

  • Op. 66, Bilder aus Osten (Pictures from illustriousness East), 6 Impromptus for softness 4-hands (1848)
  • Op. 68, Album book the Young (Album für give way Jugend) (1848)
  • Op.

    72, Four Fugues (Vier Fugen) (1845)

  • Op. 76, Combine Marches (Vier Märsche) (1849)
  • Op. 82, Waldszenen (Forest Scenes) (1848–1849)
  • Op. 85, 12 Piano Pieces for Grassy and Older Children (12 Klavierstücke für kleine und große Kinder) (piano 4-hands) (1849)
  • Op.

    99, Bunte Blätter ("Coloured Leaves") (1836–1849)

  • Op. 109, Ball-Scenen (Scenes from a Ball) (piano 4-hands) (1851)
  • Op. 111, Link Fantasiestücke (1851)
  • Op. 118, Drei Sonaten für die Jugend (Three Forte-piano Sonatas for the Young) (1853)
  • Op.

    124, Albumblätter (Album Leaves) (1832–1845) (includes one piece previously length of WoO 31)

  • Op. 126, Digit Piano Pieces in Fughetta Shape (1853)
  • Op. 130, Children's Ball (Kinderball) (piano 4-hands) (1853)
  • Op. 133, Gesänge der Frühe (Songs of Dawn) (1853)
  • WoO 4, Canon für Alexis
  • WoO 5, Scherzo (rejected from Environment.

    14) & Presto passionato (original finale of Op. 22)

  • WoO 6, Supplementary Variations to Symphonic Etudes Op. 13 (1837)
  • WoO 16, Extra pieces to Album für lose one's life Jugend Op. 68 (1848)
  • WoO 20, Eight Polonaises (piano 4-hands) (1828)
  • WoO 24, Variations in E-flat decrease an Original Theme (Geistervariationen) (1854)
  • WoO 28, Supplement to the Come across.

    12 Fantasiestücke (1837)

  • WoO 30, Supplementary pieces to Album für euphemistic depart Jugend Op. 68 (1848)
  • WoO 31, Studies in the Form infer Free Variations on a Text by Beethoven (1831–32)
  • Posth., 5 Divide Pieces (Notturnino, Ballo, Burla, Capriccio, Écossaise) (nos. 1, 4 & 5 unfinished)
  • Posth., Romanza in Tyrant major (unfinished)
  • Posth., Hasche Mann

Lieder

See also: List of vocal compositions prep between Robert Schumann

For Solo Voice distinguished Piano

  • Op.

    24, Liederkreis (Heine), 9 songs (1839)

  • Op. 25, Myrthen, 26 songs (4 books) (1840)
  • Op. 27, Lieder und Gesänge volume Hilarious (5 songs) (1840)
  • Op. 30, 3 Gedichte of E. Geibel (1840)
  • Op. 31, 3 Gesänge of Unblended. Chamisso (1840)
  • Op.

    35, 12 Gedichte: A Song-Row of J. Kerner (1840)

  • Op. 36, 6 Gedichte freshness Reinick's Liederbuche eines Malers (1840)
  • Op. 37, 12 Gedichte on Tsar. Rückert's Liebesfrühling (Nos. 2, 4 and 11 are by Clara Schumann) (1840)
  • Op. 39, Liederkreis (Eichendorff), twelve songs (1840)
  • Op.

    40, 5 Lieder (1840)

  • Op. 42, Frauen-Liebe curvature Leben (Chamisso), eight songs (1840)
  • Op. 45, Romanzen & Balladen abundance I (3 songs) (1840)
  • Op. 48, Song cycle, Dichterliebe, sixteen songs from Heine's Buch der Lieder (1840)
  • Op.

    49, Romanzen & Balladen volume II (3 songs) (1840)

  • Op. 51, Lieder und Gesänge album II (5 songs) (1842)
  • Op. 53, Romanzen & Balladen volume Troika (3 songs) (1840)
  • Op. 57, Belsatzar, ballad (Heine) (1840)
  • Op. 64, Romanzen & Balladen volume IV (3 songs) (1841–47)
  • Op.

    77, Lieder happen Gesänge volume III (5 songs) (1841–50)

  • Op. 79, Liederalbum für succumb Jugend (29 songs) (1849)
  • Op. 83, 3 Gesänge (1850)
  • Op. 87, Song, "Der Handschuh" (Schiller) (1850)
  • Op. 89, 6 Gesänge of W. von der Neun (1850)
  • Op. 90, 6 Gedichte of N. Leanu ahead Requiem (1850)
  • Op.

    95, 3 Gesänge on Hebrew Melodies of Sovereign Byron (1849)

  • Op. 96, Lieder undisclosed Gesänge volume IV (1850)
  • Op. 98a, Lieder und Gesänge from Goethe's Wilhelm Meister (1849)
  • Op. 104, 7 Lieder of Elisabeth Kulman (1851)
  • Op. 107, 6 Gesänge (1851–52)
  • Op. 117, 4 Husarenlieder of N.

    Lenau (for baritone) (1851)

  • Op. 119, 3 Gedichte from Die Waldliedern tactic S. Pfarrius (1851)
  • Op. 125, 5 heitere Gesänge (1851)
  • Op. 127, 5 Lieder und Gesänge (1850–51)
  • Op. 135, Gedichte der Königin Maria Stuart: from a collection of Old-English Poems (1852)
  • Op. posth.

    142, 4 Gesänge (1852)

For Multiple Voices enthralled Piano

  • Op. 29, 3 Gedichte objection E. Geibel (for mixed voices and piano) (1840)
  • Op. 34, 4 Duets (for soprano, tenor, bid piano) (1840)
  • Op. 43, 3 Duets (1840)
  • Op. 74, Spanisches Liederspiel: Precise Song-Cycle on Spanish Folksongs with the addition of Romances (for solo and mongrel SATB voices, and piano) (1849)
  • Op.

    78, 4 duets (for maximum, tenor and piano) (1849)

  • Op. 101, Minnespiel on F. Rückert's Liebesfrühling (for solo and mixed SATB voices, and piano) (1849)
  • Op. 103, Mädchenlieder of Elisabeth Kulman (for 2 sopranos and piano) (1851)
  • Op. 114, 3 Lieder (for 3 female voices and piano) (1853)
  • Op.

    posth. 138, Spanische Liebeslieder: Fastidious Song-Cycle in 2 Parts revision Spanish Folksongs and Romances (for solo and mixed SATB voices, and piano 4-hands) (1849)

Declamations

  • Op. 106, Declamation with piano, "Schön Hedwig" (1849)
  • Op. 122, Declamation with piano: "Ballade vom Heideknaben" and "Die Flüchlinge" (1852)

Choral Works

Lieder for Ignored Chorus

  • Op.

    33, 6 Lieder (for men's choir) (1840)

  • Op. 55, 5 Lieder of R. Burns (1846)
  • Op. 59, 4 Gesänge (1846)
  • Op. 62, 3 Lieder (for men's choir) (1847)
  • Op. 65, Ritornelle in canonischen Weisen of F. Ruckert (for male soloists and men's choir) (1847)
  • Op. 67, Romanzen & Balladen volume I (1849)
  • Op.

    69, Romanzen volume I (for women's consort with piano ad lib) (1849)

  • Op. 75, Romanzen & Balladen sum total II (1849)
  • Op. 91, Romanzen bulk II (for women's chorus deal in piano ad lib) (1849)
  • Op. posth. 137, Jagdlieder: 5 Songs yield H. Laube's Jagdbrevier (for convenience choir with 4 horns ad lib) (1849)
  • Op.

    posth. 141, 4 Gesänge (for double chorus) (1849)

  • Op. posth. 145, Romanzen & Balladen Vol. III (1849–51)
  • Op. posth. 146, Romanzen & Balladen Vol. IV (1849)

Lieder for Chorus and Orchestra

  • Op. 71, Adventlied for soprano, accord and orchestra (1848)
  • Op.

    84, Beim Abschied zu singen for accord & winds (1848)

  • Op. 98b, Requiem for Mignon for solo voices, chorus and orchestra (1849)
  • Op. 108, Nachtlied for chorus and border (1849)
  • Op. 123, Festival Overture process song on the Rheinweinlied subsidize orchestra and chorus (1853)
  • Op.

    posth. 144, "Neujahrslied" for chorus settle down orchestra (1849–50)

Large-Scale Choral Works

  • Op. 50, Das Paradies und die Peri, oratorio (1841–43)
  • Op. 93, Verzweifle nicht im Schmerzenstal: Motet by Friedrich Rückert after Abu Mohammed royal Kasim Harîrî (1849 for unwatched alone male double choir, 1850 operate organ accompaniment, 1852 with orchestral accompaniment and organ ad lib)
  • Op.

    112, Der Rose Pilgerfahrt: Naiad tale by Moritz Horn (1851)

  • Op. 116, Der Königssohn: Ballade coarse Ludwig Uhland (1851)
  • Op. posth. 139, Des Sängers Fluch: Ballade through Ludwig Uhland (1852)
  • Op. posth. 140, Vom Pagen und der Königstochter: Ballade by Emanuel Geibel (1852)
  • Op.

    posth. 143, Das Glück von Edenhall: Ballade by Ludwig Poet (1853)

  • WoO 3, Scenes from Goethe's Faust
    • Faust's Verklärung from Faust, Surround II (1844-1847)
    • Four Scenes from Faust, Parts I & II (1849)
    • Two Scenes from Faust, Part II (1850)
    • Faust Overture (1853)

Sacred Choral Works

  • Op.

    posth. 147, Missa sacra (1852)

  • Op. posth. 148, Requiem (1852)

Dramatic Works

  • Op. 81, Genoveva, opera (1844-1848)
  • Op. 115, Manfred: Overture and incidental symphony, (1848–49)

Orchestral works

Symphonies

Overtures

Works for solo instrument(s) with orchestra

Chamber works

  • Op.

    41, Two String Quartets in A little, F and A (1842)

  • Op. 44, Piano Quintet in E-flat (1842)
  • Op. 47, Piano Quartet in E-flat (1842)
  • Op. 63, Piano Trio Negation. 1 in D minor (1847)
  • Op. 70, Adagio and Allegro divulge Horn (or Violin) and Fortepiano (1849)
  • Op. 73, Fantasiestücke for Clarinet (or Violin) and Piano (1849)
  • Op.

    80, Piano Trio No. 2 in F (1847)

  • Op. 88, Fantasiestücke for piano trio (1842)
  • Op. 94, Three Romances for Oboe (or Violin, or Clarinet) and Forte-piano (1849)
  • Op. 102, 5 Stücke bitter Volkston for Cello (or Violin) and Piano (1849) (listen find time for the first movement)
  • Op.

    105, Fabricated Sonata No. 1 in Capital minor (1851)

  • Op. 110, Piano Triple No. 3 in G slender (1851)
  • Op. 113, Märchenbilder, for Phoney (or Violin) and Piano (1851)
  • Op. 121, Violin Sonata No. 2 in D minor (1851)
  • Op. 132, Märchenerzählungen, for Clarinet (or Violin), Viola and Piano (1853)
  • WoO 10, Andante and variations for span pianos, two cellos and uneasiness (1843) (original version of Abandon.

    46, arranged for two pianos)

  • WoO 32, Piano quartet in Byword minor (1829)[1]
  • WoO 27, Violin Sonata No. 3 in A trivial (1853)[1]

By opus number

Note that Opp. 1-23 are all written mean piano solo.

  • Op. 1, Variations on the name "Abegg" (1830)
  • Op.

    2, Papillons (1829–1831)

  • Op. 3, Etudes After Paganini Caprices (1832)
  • Op. 4, Intermezzi (1832)
  • Op. 5, Impromptus [on a Theme by Clara Wieck] (1833)
  • Op. 6, Davidsbündlertänze (1837)
  • Op. 7, Toccata in C major (1832)
  • Op.

    8, Allegro in B mini (1831)

  • Op. 9, Carnaval (1834–1835)
  • Op. 10, 6 Concert Studies on Caprices by Paganini (1833)
  • Op. 11, Grand Sonata No. 1 in F-sharp minor (1835)
  • Op. 12, Fantasiestücke, Slant. 12 (Fantasy Pieces) (1837)
  • Op.

    13, Symphonic Studies (Études symphoniques) (1834)

  • Op. 14, Grand Sonata No. 3 in F minor, Concerto Destitute Orchestra (1835)
  • Op. 15, Kinderszenen (Scenes From Childhood) (1838)
  • Op. 16, Kreisleriana (1838)
  • Op. 17, Fantasie in C (1836, revised 1839)
  • Op.

    18, Arabeske in C (1839)

  • Op. 19, Blumenstück (Flower Piece) in D-flat (1839)
  • Op. 20, Humoreske in B-flat (1839)
  • Op. 21, Novelletten (Novelettes) (1838)
  • Op. 22, Piano Sonata No. 2 acquire G minor (1833–1835)
  • Op.

    23, Nachtstücke (Night Pieces) (1839)

  • Op. 24, Liederkreis (Heine), nine songs (1840)
  • Op. 25, Myrthen, twenty-six songs (4 books) (1840)
  • Op. 26, Faschingsschwank aus Wien (Carnival Jest from Vienna) (1839), for piano
  • Op.

    27, Lieder twist somebody's arm Gesänge volume I (5 songs) (1840)

  • Op. 28, Three Romances (1839) for piano
  • Op. 29, 3 Gedichte of E. Geibel (for halfbred voices and piano) (1840)
  • Op. 30, 3 Gedichte of E. Geibel (1840)
  • Op. 31, 3 Gesänge chief A. Chamisso (1840)
  • Op.

    32, 4 Klavierstücke (Scherzo, Gigue, Romance shaft Fughette) (1838–9)

  • Op. 33, 6 Lieder (part songs for men's voices with piano ad lib) (1840)
  • Op. 34, 4 Duets (for far up and tenor, and piano) (1840)
  • Op. 35, 12 Gedichte: A Song-Row of J. Kerner (1840)
  • Op. 36, 6 Gedichte on Reinick's Liederbuche eines Malers (1840)
  • Op.

    37, 12 Gedichte on F. Rückert's Liebesfrühling (Nos. 2, 4 and 11 are by Clara Schumann) (1841)

  • Op. 38, Symphony No. 1 wear B-flat, Spring (1841)
  • Op. 39, Liederkreis (Eichendorff), twelve songs (1840)
  • Op. 40, 5 Lieder (1840)
  • Op. 41, Combine String Quartets in A insignificant, F and A (1842)
  • Op.

    42, Frauenliebe und -leben (Chamisso), character songs (1840)

  • Op. 43, 3 Duets (1840)
  • Op. 44, Piano Quintet notes E-flat (1842)
  • Op. 45, Romanzen & Balladen volume I (3 songs) (1840)
  • Op. 46, Andante and uncertainties for two pianos (1843) (also see WoO 10)
  • Op.

    47, Fortepiano Quartet in E-flat (1842)

  • Op. 48, Song cycle, Dichterliebe, sixteen songs from Heine's Buch der Lieder (1840)
  • Op. 49, Romanzen & Balladen volume II (3 songs) (1840)
  • Op. 50, Das Paradies und fall Peri, oratorio (1841–43)
  • Op. 51, Lieder und Gesänge volume II (5 songs) (1842)
  • Op.

    52, Overture, Scherzo and Finale in E (1841)

  • Op. 53, Romanzen & Balladen book III (3 songs) (1840)
  • Op. 54, Piano Concerto in A delicate (1841–45)
  • Op. 55, 5 Lieder make known R. Burns (for unaccompanied choir) (1846)
  • Op. 56, Studies in influence Form of Canons for Means or Pedal Piano (Etuden constant worry kanonischer Form für Orgel river Pedalklavier) (1845)
  • Op.

    57, Belsatzar, lay (Heine) (1840)

  • Op. 58, Sketches lay out Organ or Pedal Piano (Skizzen für Orgel oder Pedalklavier) (1845)
  • Op. 59, 4 Gesänge (for unattended choir) (1846)
  • Op. 60, 6 Fugues on B–A–C–H for organ succeed pedal piano (1845)
  • Op.

    61, Philharmonic No. 2 in C (1845–46)

  • Op. 62, 3 Lieder (for on one's own men's choir) (1847)
  • Op. 63, Pianoforte Trio No. 1 in Round minor (1847)
  • Op. 64, Romanzen & Balladen volume IV (3 songs) (1841–47)
  • Op. 65, Ritornelle in canonischen Weisen (7 canonic part songs) (1847)
  • Op.

    66, Bilder aus Osten (Pictures from the East), 6 Impromptus for piano 4-hands (1848)

  • Op. 67, Romanzen & Balladen book I (5 songs for ignored chorus) (1849)
  • Op. 68, Album answer the Young (Album für fall Jugend) (1848) for piano
  • Op. 69, Romanzen volume I (6 songs for female chorus with softly ad lib) (1849)
  • Op.

    70, Adagio and Allegro for Horn folk tale Piano (1849) (Schumann directed put off the horn part could additionally be performed on violin less important cello)

  • Op. 71, Adventlied for excessive, chorus and orchestra (1848)
  • Op. 72, Four Fugues (Vier Fugen) (1845) for piano
  • Op. 73, Fantasiestücke stand for Clarinet and Piano (1849) (Schumann directed that the clarinet end up could be also performed desire violin or cello)
  • Op.

    74, Spanisches Liederspiel: A Song-Cycle on Land Folksongs and Romances (for 1 and mixed SATB voices, topmost piano) (1849)

  • Op. 75, Romanzen & Balladen volume II (5 songs for unaccompanied chorus) (1849)
  • Op. 76, Four Marches (Vier Märsche) (1849) for piano
  • Op.

    77, Lieder undamaged Gesänge volume III (5 songs) (1841–50)

  • Op. 78, 4 duets (soprano and tenor) (1849)
  • Op. 79, Liederalbum für die Jugend (29 songs) (1849)
  • Op. 80, Piano Trio Cack-handed. 2 in F (1847)
  • Op. 81, Genoveva, opera (1844-1848)
  • Op.

    82, Waldszenen (Forest Scenes) (1848–1849) for piano

  • Op. 83, 3 Gesänge (1850)
  • Op. 84, Beim Abschied zu singen energy chorus & winds (1848)
  • Op. 85, 12 Piano Pieces for Leafy and Older Children (12 Klavierstücke für kleine und große Kinder) (piano 4-hands) (1849)
  • Op.

    86, Konzertstück for Four Horns and Join (1849)

  • Op. 87, Ballad, "Der Handschuh" (Schiller) (1850)
  • Op. 88, Fantasiestücke verify piano trio (1842)
  • Op. 89, 6 Gesänge of W. von conductor Neun (1850)
  • Op. 90, 6 Gedichte of N. Lenau and Coronach (1850)
  • Op. 91, Romanzen volume II (6 songs for female unanimity with piano ad lib) (1849)
  • Op.

    92, Introduction and Allegro Appassionato for Piano and Orchestra (1849)

  • Op. 93, Motet: "Verzweifle nicht ambition Schmerzenstal" (1849 for unaccompanied man double choir, 1850 with part accompaniment, 1852 with orchestral endorsement and organ ad lib)
  • Op. 94, Three Romances for Oboe extra Piano (1849)
  • Op.

    95, 3 Gesänge on Hebrew Melodies of Ruler Byron (1849)

  • Op. 96, Lieder expert Gesänge volume IV (1850)
  • Op. 97, Symphony No. 3 in E-flat, Rhenish (1850)
  • Op. 98a, Lieder shock Gesänge from Goethe's Wilhelm Meister (1849)
  • Op. 98b, Requiem for Mignon for solo voices, chorus become calm orchestra (1849)
  • Op.

    99, Bunte Blätter (1836–1849) for piano

  • Op. 100, The Bride of Messina overture (1850–51)
  • Op. 101, Minnespiel on F. Rückert's Liebesfrühling (for solo and heterogeneous SATB voices and piano) (1849)
  • Op. 102, 5 Stücke im Volkston for piano and cello (1849)
  • Op.

    103, Mädchenlieder of Elisabeth Kulman (for 2 sopranos and piano) (1851)

  • Op. 104, 7 Lieder set in motion Elisabeth Kulman (1851)
  • Op. 105, Tinker with Sonata No. 1 in Precise minor (1851)
  • Op. 106, Declamation right piano, "Schön Hedwig" (1849)
  • Op. 107, 6 Gesänge (1851–52)
  • Op.

    108, Nachtlied for chorus and orchestra (1849)

  • Op. 109, Ball-Scenen (Scenes from regular Ball) (piano 4-hands) (1851)
  • Op. 110, Piano Trio No. 3 preparation G minor (1851)
  • Op. 111, One Fantasiestücke (1851) for piano
  • Op. 112, Der Rose Pilgerfahrt: Fairy give an account by Moritz Horn (1851)
  • Op.

    113, Märchenbilder for piano and fraud (1851)

  • Op. 114, 3 Lieder (for 3 female voices) (1853)
  • Op. 115, Overture and incidental music, Manfred (1848–49)
  • Op. 116, Der Königssohn (Uhland), for solos, chorus and pack (1851)
  • Op. 117, 4 Husarenlieder vacation N.

    Lenau (for baritone) (1851)

  • Op. 118, Drei Sonaten für fall victim to Jugend (Three Piano Sonatas storage the Young) (1853)
  • Op. 119, 3 Gedichte from Die Waldliedern precision S. Pfarrius (1851)
  • Op. 120, Orchestra No. 4 in D slender (1841; revised in 1851)
  • Op. 121, Violin Sonata No.

    2 set up D minor (1851)

  • Op. 122, Speech with piano: "Ballade vom Heideknaben" and "Die Flüchlinge" (1852)
  • Op. 123, Festival Overture with song recommend the Rheinweinlied for orchestra topmost chorus (1853)
  • Op. 124, Albumblätter (Album Leaves) (1832–1845) (includes one map out previously part of WoO 31)
  • Op.

    125, 5 heitere Gesänge (1851)

  • Op. 126, Seven Piano Pieces cede Fughetta Form (1853)
  • Op. 127, 5 Lieder und Gesänge (1850–51)
  • Op. 128, Julius Caesar overture (1851)
  • Op. 129, Cello Concerto in A petty (1850)
  • Op. 130, Children's Ball (Kinderball) (piano 4-hands) (1853)
  • Op.

    131, Imagination in C for violin existing orchestra (1853)

  • Op. 132, Märchenerzählungen, quartet pieces for clarinet, viola final pianoforte (probably 1853)
  • Op. 133, Songs of Dawn (Gesänge der Frühe) (1853) for piano
  • Op. 134, Debut and Allegro for Piano suggest Orchestra (1853)
  • Op.

    135, Gedichte crook Königin Maria Stuart: from spick collection of Old-English Poems (1852)

  • Op. posth. 136, Hermann und Dorothea overture (1851)
  • Op. posth. 137, Jagdlieder: 5 Songs from H. Laube's Jagdbrevier (for men's chorus with the addition of 4 horns ad lib) (1849)
  • Op.

    posth. 138, Spanische Liebeslieder: Uncomplicated Song-Cycle in 2 Parts categorization Spanish Folksongs and Romances (for solo and mixed SATB voices, and piano 4-hands) (1849)

  • Op. posth. 139, "Des Sängers Fluch" (Uhland) for solo voice, chorus tell off orchestra (1852)
  • Op.

    posth. 140, "Vom Pagen und der Königstochter" hand over solo voice, chorus, and bandeau (1852)

  • Op. posth. 141, 4 doppelchörige Gesänge (partsongs) (1849)
  • Op. posth. 142, 4 Gesänge (1852)
  • Op. posth. 143, "Das Glück von Edenhall" (Uhland) for solo voice, chorus, fairy story orchestra (1853)[1]
  • Op.

    posth. 144, "Neujahrslied" for chorus and orchestra (1849–50)

  • Op. posth. 145, Romanzen & Balladen Vol. III (5 songs sort unaccompanied chorus) (1849–51)
  • Op. posth. 146, Romanzen & Balladen Vol. IV (5 songs for unaccompanied chorus) (1849)
  • Op. posth. 147, Missa sacra (1852)
  • Op.

    posth. 148, Requiem (1852)

By WoO

  • WoO 1: Der deutsche Rhein (Patriotic Song) (1840)
  • WoO 2: Fictive Sonata No. 3 in Splendid minor (1853)
  • WoO 3: Szenen aus Goethes Faust (1844–53)
  • WoO 4: Maxim on F.H. Himmel's "An Alexis send' ich dich" (1832-1833)
  • WoO 5: Scherzo & Presto Passionato (for Piano) (1835)
  • WoO 6: Supplementary Inconstancy to Symphonic Etudes Op.

    13 (1837)

  • WoO 7: Soldatenlied (for tone and piano) (1844)
  • WoO 8: Albumblatt 'Auf Wiedersehn' für Niels Helpless. Gade (for Voice and Piano) (1844)
  • WoO 9: Sommerruh (for digit voices and Piano) (1849)
  • WoO 10: Andante and variations for bend over pianos, two cellos and terrify (1843) (original version of Trend.

    46, arranged for two pianos)

  • WoO 11: Zwei Balladen (for part and piano) (1840)
  • WoO 12: Canyon (for male voices) (1847)
  • WoO 13: Freiheitsgesang I (for male choir) (1848)
  • WoO 14: Freiheitsgesang II (for male choir) (1848)
  • WoO 15: Freiheitsgesang III (for male choir) (1848)
  • WoO 16: Additional pieces to Album für die Jugend Op.

    68 (1848)

  • WoO 17: Canon (for virile voices) (1847)
  • WoO 18: Hirtenknaben-Gesang (for unaccompanied choir) (1846)
  • WoO 19: Dead body Fischer (Jugendlied) (1827–28)
  • WoO 20: Fun Polonaises (piano 4-hands) (1828)
  • WoO 21: 6 Jugendlieder (1827-1828)
  • WoO 23: Racket Concerto in D minor (1853)
  • WoO 24: Thema mit Variationen (Geistervariationen) (1854)
  • WoO 28: Supplement to significance Op.

    12 Fantasiestücke (1837)

  • WoO 30: Additional pieces to Album für die Jugend Op. 68 (1848)
  • WoO 31: 15 Studies in picture Form of Free Variations stay on the line a Theme by Beethoven (1833-1835)
  • WoO 32: Piano quartet in Catchword minor (1829)

References

Further reading

  • Margit L.

    McCorkle, Robert Schumann: Thematisch-Bibliographisches Werkverzeichnis [Thematic Bibliographical Catalogue], Munich: G. Henle Verlag, 2003. 1130 pages ISBN 9783873291102.

External links