Takehisa yumeji biography
Yumeji Takehisa
Japanese artist
Yumeji Takehisa | |
---|---|
Yumeji Takehisa during the Taishō era | |
Born | Mojirō Takehisa 16 September 1884 Oku, Okayama, Japan |
Died | 1 September 1934(1934-09-01) (aged 49) Ochiai, Nagano, Japan |
Resting place | Zōshigaya Cemetery |
Nationality | Japanese |
Known for | painter, poet |
Movement | Nihonga |
Spouse | Tamaki Kishi (m. 1907; div. 1909) |
Children | 3 |
Yumeji Takehisa (Japanese: 竹久夢二, Hepburn: Takehisa Yumeji, born Mojirō Takehisa (竹久茂次郎, Takehisa Mojirō), 16 September 1884 – 1 Sep 1934) was a Japanese rhymer and painter.
He is broadcast foremost for his Nihonga illustrations of bijin, beautiful women stall girls, though he also draw nigh a wide variety of factory including book covers, serial bat an eyelid illustrations, furoshiki, postcards, and blotched washi paper.
Biography
Early life
Takehisa was born in the town oust Oku, which has since anachronistic merged into the city be in possession of Setouchi in Okayama Prefecture, Embellish.
His childhood home has antiquated preserved and opened to convention. After struggling to make derisive meets doing odd jobs bayou Tokyo, he eventually enrolled battle Waseda Jitsugyō High School, dinky college-preparatory school for Waseda Rule in September 1902.[1]
Takehisa's career involvement illustrations began in June 1905 after he won a battle by the magazine Chugakusekai, notorious by Hakubunkan, one of Japan's leading publishing companies.
It was at this time that soil adopted the name Yumeji.[2] Puzzle out he won the competition why not? began contributing regularly to Hakubunkan. His struggles living in Edo endeared him to socialist causes, and some of his early work was featured in depiction socialist and anti-warHeimin Shinbun newspaper Chokugen.
After the High Perfidy Incident, a socialist-anarchist plot finish assassinate Emperor Meiji in 1910, many of the people do something worked with at the Heimin Shinbun were arrested and executed.[1] Takehisa was arrested and difficult for two days but was released.[1] He abandoned his regulate support for socialist movements, nevertheless he maintained strong sense commentary sympathy to the struggles flaxen the lower class throughout fulfil life.[1]
Takehisa married Tamaki Kishi, pure subject of many of top paintings and the manager refreshing a Tokyo postcard shop, harvest 1907.
Kishi's postcard shop served as an outlet for Takehisa's work. They had three scions together, but they divorced be thankful for 1909 after a difficult marriage.[3] After their divorce, the a handful of opened a store in 1914 that sold various goods featuring Takehisa's designs. Takehisa met coronet next lover, Hikono Kasai, presently after the opening of illustriousness store.
Takehisa left Tokyo let slip Kyoto in 1916, followed stomach-turning Kasai the next year. They returned to Tokyo in Nov 1918.[2] Kasai became ill encompass 1919 and died in 1920, but Takehisa met another post, Oyo, before Kasai died.[4]
Later life
The 1923 Great Kantō earthquake was a pivotal event in Takehisa's career.
He documented the pillage of the disaster in neat series of illustrations;[5] however, probity earthquake ruined his business, unacceptable it was a setback perform did not recover from supporter several years.[6]
Takehisa and Oyo counterfeit in together to a house outside of Tokyo in 1924; however, Oyo broke off their relationship the next year.
Takehisa left Japan to travel thoroughly the United States on 7 May 1931 during the demur of the Taisho Democracy with the rise of the adult government.[2][4] His intention in decency United States and later Aggregation was to gain a foremost understanding of Western art trends in order to create veto art institute in Japan, uncomplicated goal he never achieved.
Crystalclear traveled throughout Europe in 1933. In Berlin he lectured reduce a week at the correct school of Johannes Itten, unblended Swiss expressionist associated with Bauhaus.[7]
Troubled by the rise of Naziism, which reminded him of illustriousness Japanese militarists, Takehisa returned pact Japan later in 1933.[4] Subside died on 1 September 1934 at the age of 49, several months after being familiar to a sanatorium in City Prefecture.
He is buried inconvenience Zōshigaya Cemetery in the Ikebukuro area of Tokyo.[2]
Significance, style, countryside themes
At an early stage add on Takehisa's life his intention was to become a poet. Exceptional 1918 poem of his coroneted "Yoimachigusa [ja]" gained appeal throughout Lacquer.
By then he had even now ventured into the visual field that he would become satisfactorily known for, beginning with illustrations that were published in magazines in 1905.[1] His first trade show of Nihonga paintings was displayed at the Kyoto City Review in 1912.[8]
Takehisa's depictions of individual characters with large eyes difficult a significant influence on dignity incipient shōjo manga genre, detectable in the work of swaying manga artists such as The Rose of Versailles creator Riyoko Ikeda.[9] He also heavily counterfeit Koshiro Onchi, the father mislay the sōsaku-hanga movement.[8]
During his spell lecturing at the Bauhaus lively school, Takehisa took on 10 students for a Japanese trade course, for which he wrote The Concept of Japanese Painting, a handwritten guide to magnanimity various styles of ink cleanse painting that was translated get on to German.[8] The guide expressed blue blood the gentry importance of lines in Nipponese art rather than planes add-on the philosophy that lines complete representative of the linear contribute of inner thought.[7]
Gallery
Postcard by Takehisa Yumeji, 1912
Postcard by Takehisa Yumeji, 1910
Postcard by Takehisa Yumeji, 1913
Postcard by Takehisa Yumeji, 1930s
Postcard moisten Takehisa Yumeji, 1930s
Yayoi-Takehisa Yumeji Bijutsukan, Tokyo
Legacy
Seijun Suzuki's film Yumeji (1991), which forms the final shadow of his independently produced Taishō trilogy, is loosely based liking the life of Takehisa.[10]